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Original Title:	Stranger in a Strange Land
ISBN:	0441788386 (ISBN13: 9780441788385)
Edition Language:	English
Characters:	Valentine Michael Smith, Jubal Harshaw, Gillian Boardman, Ben Caxton
Literary Awards:	Hugo Award for Best Novel (1962), Prometheus Hall of Fame Award (1987)

Stranger in a Strange Land

Robert A. Heinlein

Paperback | Pages: 528 pages

Rating: 3.92 | 265789 Users | 7689 Reviews

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Apparently a classic of the sci-fi cannon, I'd never heard of this book until it came up on a book club here. It took me a long time to read only because of lack of time, and a rather annoying trait the author has that I'll go into later.

This is one of those books that tells us more about the period it was written in than anything else, so it's important to note that it was first published in 1961 and later again in 1968 - when moon fever was running high and people seemed to have high expectations for human achievement.

Events are set in an undisclosed future but the older characters seem to remember the first moon landing, so I wouldn't be surprised if Heinlein was thinking of it being set around about now. With a mix of very daggy technology like "stereo tanks" (TVs) and large, clumsy listening devices, alongside hover crafts and spaceships to Mars, the scope of the setting is hampered by a 50s' imagination.

Stranger in a Strange Land is about Michael "Mike" Smith, the "Man from Mars", offspring of two of scientists on board the original mission to Mars, who was raised by Martians. He is more Martian than human, especially in his thinking and outlook and philosophy, when he is brought back to Earth. Heir to a shitload of money care of his parents' heritage, it's unsurprising that the bigshots on Earth are wanting to keep him locked up tight. A nurse at the hospital where he is first kept, Jill, offers him a glass of water and in that one action becomes a "water brother" - the highest accolade for Mike. She rescues him from the politicians with the help of her journalist friend Ben and takes him to the home of a grumpy, reclusive man, Dr Jubal Harshaw, who lives with three young women who serve as secretaries - Anne, Miriam and Dorcas - and two men who take care of the property - Duke and Larry.

Mike's particular talents slowly reveal: he can vanish things, including people, if he recognises there is a "wrongness" in them; he can withdraw from his own body and shut down his body so there is no heartbeat; he can teleport and think telepathically; he can absorb books in minutes and regulate his own body, making it muscular and mature at will; and so on. All of this can be done with understanding of the Martian language, which Jill starts to learn.

He's completely ignorant of human ways, of human concepts - things like jealousy, possessiveness etc. are all alien to him. He doesn't understand religions and he has never laughed.

After months on the road with just Jill, learning and "grokking", he finally knows why humans laugh and how to do it himself, and gets the human condition. It leads him to start his own "church", though it's more of a way of life open to people of all religious denominations, with free love and open mindedness, and abilities gained through mastery of the Martian language. With Mike set up as a new Messiah, a prophet, there's only one logical conclusion for this story.

As a story, Stranger in a Strange Land is enjoyable and original. Yet, as a story, it's also bogged down with sermons, with Heinlein's opinions, and a very out-of-date mentality. It reads very 60s and 70s, though it was written before then. Not as far-sighted as it would like to be! It's especially noticeable in the relations between men and women, which have that faintly liberated tinge that's all really lip service, and a great deal of sexist language. Which is ironic, really, considering Mike's free love cult. There's also an affectionate insult for a Muslim character who's nicknamed "Stinky" that I couldn't help but be offended by.

It does make it hard to read, though, when you come across lines like this, as spoken by Jill very matter-of-factly: "Nine times out of ten, if a girl gets raped, it's partly her fault." (p304) While today the statistics are more like "nine of ten times, a woman's rapist is someone she knows", the idea that it's "partly her fault" is still considered true by way too many people. To hear this come out of Jill's mouth makes it especially awful.

Another example is Jubal saying: "Pipe down, Anne. Close your mouth, Dorcas. This is not a time when women have the vote." (p382) Granted, they ignored him and did what they wanted anyway, but there're a lot of these flippant, dismissive remarks all through the book. Product of its times, sure: just not at all futuristic.

Then we come to the proselytizing, which the book is rife with. Today, reading this book, the opinions shared are very "yes, so?" - old hat, in other words. Though it is fun to read the rants, the set-up is cringe-worthy. Jubal is the main lecturer, and the characters around him serve as props. There are a great many "Huh?"s from educated and knowledgeable people so that Jubal can share his abundant wisdom. One "huh?" is okay, but when each long paragraph of Jubal is responded to with a "huh?" it gets a bit silly. Frankly, it's bad writing. It reminded me somewhat of The Da Vinci Code, which also uses characters to expound the author's theories on religion etc. at great length.

While these things did at times make it harder to read the book, essentially the book is easy to read and often quite fun too. Jubal's sermons (and when Jubal isn't around, other characters fill the role, like Ben and Sam) can be a bit heavy-handed and obvious but a lot of it I agree with, so it wasn't rubbing me up the wrong way. Mike is a challenging character to write, because in order to write a naive, ignorant character to this extent, you need to be incredibly self-aware. Heinlein has fairly good success here, and Mike's growth, maturation, development and resolutions fit the character and work. He has charisma and is definitely intriguing; yet because he lacks the human flaws, he's also somewhat unapproachable and alien: a good balance to achieve.

Present Epithetical Books Stranger in a Strange Land

Title	:	Stranger in a Strange Land
Author	:	Robert A. Heinlein
Book Format	:	Paperback
Book Edition	:	Special Edition
Pages	:	Pages: 528 pages
Published	:	October 1st 1991 by Ace (first published July 1961)
Categories	:	Horror. Thriller. Mystery. Fiction. Science Fiction. Mystery Thriller. Suspense

Rating Epithetical Books Stranger in a Strange Land

Ratings: 3.92 From 265789 Users | 7689 Reviews

Appraise Epithetical Books Stranger in a Strange Land

Mixed feelings here. The first half of the book reads like a suspenseful mystery/action flick with some sharp observations about language and culture clashes. And I loved it. The second half deals with whacky religion and uninhibited sex. Public nudity, open marriage, sex used for growing closer - it's all very out there and provocative, especially for 1960s. But since it's 1960 you also get a fair share of sexism. Women are often excluded from male conversations, patronised: "girl", "dearest",

Apparently a classic of the sci-fi cannon, I'd never heard of this book until it came up on a book club here. It took me a long time to read only because of lack of time, and a rather annoying trait the author has that I'll go into later.This is one of those books that tells us more about the period it was written in than anything else, so it's important to note that it was first published in 1961 and later again in 1968 - when moon fever was running high and people seemed to have high

This book is too much a product of its times for me to fully enjoy it, but that night I dreamed of Mars.

I gave it 4 stars for memory's sake. Now the folks at Syfy are adapting for TV! Amazing to me that, once considered too racy for publication unexpurgated, it's now a TV-able property. For all its many faults, I'm glad Society has caught up with Heinlein's libertarian 'tude towards sex.http://www.ew.com/article/2016/11/15/...I decided to give it more of a review at Expendable Mudge Muses Aloud: https://tinyurl.com/hwov3qm

Overlong piece of cardboard. Absolutely terrible. Pedantic, banal, and frequently offensive. All the characters but one were flat. The one character with any actual character was a preachy asshole who looks a lot like a mouthpiece for the author. The plot was boring and completely squandered the premise. The prose was dull and the philosophy was cynical and tyrannical. The book is transparently a playing out of the author's junior high, male power fantasies, while trying to be religiously

I don't even...I might try one of these books again in the distant future, and I might try the last of this guy's classics, The Moon is a Harsh Mistress at some point. But for now I can only say that Robert A. Heinlein is one of my least favourite writers of all time.I might write a real review, but considering that I'm not particularly fond of reviewing thoroughly negative experiences, I don't know if I can be bothered.

"Nine times out of ten, if a girl gets raped, its at least partly her own fault." The most quoted sentence from this book.He's right it is. A woman should shroud herself in black, even wear a veil over her eyes and for extra protection she should wear a big size of Doc Martin boots so it could be a man under the shroud (Michael Jackson used to do that) and always be accompanied when she goes out. Which should be rarely. Very rarely. When she is in the house (most of the time) she should have the