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The Proud Tower: A Portrait of the World Before the War, 1890-1914

Barbara W. Tuchman

Paperback | Pages: 588 pages

Rating: 4.12 | 7256 Users | 463 Reviews

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Title	:	The Proud Tower: A Portrait of the World Before the War, 1890-1914
Author	:	Barbara W. Tuchman
Book Format	:	Paperback
Book Edition	:	First Edition
Pages	:	Pages: 588 pages
Published	:	August 27th 1996 by Ballantine Books (first published 1966)
Categories	:	History. Nonfiction. War. World War I. European History

Relation Toward Books The Proud Tower: A Portrait of the World Before the War, 1890-1914

During the fateful quarter century leading up to World War I, the climax of a century of rapid, unprecedented change, a privileged few enjoyed Olympian luxury as the underclass was “heaving in its pain, its power, and its hate.” In The Proud Tower, Barbara W. Tuchman brings the era to vivid life: the decline of the Edwardian aristocracy; the Anarchists of Europe and America; Germany and its self-depicted hero, Richard Strauss; Diaghilev’s Russian ballet and Stravinsky’s music; the Dreyfus Affair; the Peace Conferences in The Hague; and the enthusiasm and tragedy of Socialism, epitomized by the assassination of Jean Jaurès on the night the Great War began and an epoch came to a close.

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Original Title:	The Proud Tower: A Portrait of the World Before the War 1890-1914
ISBN:	0345405013 (ISBN13: 9780345405012)
Edition Language:	English

Rating Epithetical Books The Proud Tower: A Portrait of the World Before the War, 1890-1914

Ratings: 4.12 From 7256 Users | 463 Reviews

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I'm hesitating between a simple recommendation: "This was tremendous. Go forth and read ye likewise," and a more voluminous splatter of opinions and unhelpful comments.No, actually, I'm not hesitating. The choice is simple.Tuchman's object is to reveal the last decade or two of the Christendom, its pillars and its dynamiters. She covers the magnificent aristocracy of England in the first chapter. In their contempt of ideology the House of Lords were very Burkean, and incidentally reminded me a

Fascinating, authoritative, relevant, sweeping, insightful, well written, magisterial, and far too long.

Engaging history of white people from late 19th century to WWI. Written by American journalist living in U.K. and published in 1966, book purports to be "A Portrait of the World Before the War, 1890-1914" -- which it ain't by a damn sight -- and works as a pretty good oil painting of the U.K., France, Germany, and the U.S. (with smatterings of Russia, Spain and Italy thrown in for spice) before they all started killing each other with gas and machine guns. Author shows us the political, social,

How do you follow up a major success in life? Its a question I seldom ask myself. My last success was finishing the final two episodes of both The Night Of and Stranger Things in a single night, while drinking a $9 handle of rum and avoiding the sidelong glances of my pregnant wife, who is due any day. Thats the kind of success you only follow up with divorce. Barbara Tuchman certainly had to answer that query. In 1962, she published The Guns of August, one of the most widely acclaimed works of

I finished this book mostly out of moral obligation. You get to read about the anarchists, socialists, and upper 1% right before WWI. The Dreyfus affair was kind of interesting. It was like each, very long, chapter was a book in itself. I was hoping to get insight into Eastern-Europe (e.g. the Austrian Empire and Bohemia and Poland), but there was nothing there.

While from a proud tower in the townDeath looks gigantically down The City in the Sea Poe. This book is really a collection of essays published separately in various journals. Any book tackling the social, political and artistic situation of the world in the couple of decades before it entered its first global war, could only offer a partial view. These essays offer a series of selected aspects of this bellicose universe seen through shifting points of view.There are considerable absences.

I had looked forward to reading this for quite some time, but now that I have finally gotten around to it, I'm feeling the effect of my high expectations. Tuchman seems best, to me, when she's describing an event, as in The Zimmermann Telegram; and although the individual chapters of The Proud Tower occasionally had the same kind of narrative thrust, overall, the 'portrait' style that she uses here does not seem to maximize her talent as an author.The fact is, there is no single 'story' to tell