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Original Title:	Shūtur eli sharrī
ISBN:	0141026286 (ISBN13: 9780141026282)
Edition Language:	English
Characters:	Gilgamesh, Enkidu, Ishtar, Humbaba, Utnapishtim, Gilgamesh, Enkidu, Ishtar, Humbaba, Utnapishtim

The Epic of Gilgamesh

Anonymous

Paperback | Pages: 120 pages

Rating: 3.68 | 76225 Users | 3773 Reviews

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Andrew George's "masterly new translation" (The Times) of the world's first truly great work of literature

Miraculously preserved on clay tablets dating back as much as four thousand years, the poem of Gilgamesh, king of Uruk, is the world’s oldest epic, predating Homer by many centuries. The story tells of Gilgamesh’s adventures with the wild man Enkidu, and of his arduous journey to the ends of the earth in quest of the Babylonian Noah and the secret of immortality. Alongside its themes of family, friendship and the duties of kings, the Epic of Gilgamesh is, above all, about mankind’s eternal struggle with the fear of death.

The Babylonian version has been known for over a century, but linguists are still deciphering new fragments in Akkadian and Sumerian. Andrew George’s gripping translation brilliantly combines these into a fluent narrative and will long rank as the definitive English Gilgamesh.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

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Title	:	The Epic of Gilgamesh
Author	:	Anonymous
Book Format	:	Paperback
Book Edition	:	Anniversary Edition
Pages	:	Pages: 120 pages
Published	:	May 4th 2006 by Penguin Books Limited (first published -1800)
Categories	:	Classics. Poetry. Fiction. Fantasy. Mythology. Literature

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Ratings: 3.68 From 76225 Users | 3773 Reviews

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Admittedly I found George Smith's story more interesting than the book itself (fuck the British Museum, really) but hey I'm always here for anything that proves the Bible's travesty, so.(yes, I'm writing this ridiculous 3-lines 'review' before diving into my course material otherwise I would most likely babble literary 'truths' and that's not what my GR account is about isn't it)

I think I read this in class once, I don't remember it at all though. I wrote something stupid in the margin though that if I saw in someone else's book I'd think they were a moron, so I guess this proves I'm a moron, or was, or something. This version is a prose version, something I think is silly, I mean I've made fun of people (behind their backs) who buy the prose version of Homer instead of a verse version, so now I'm going to snicker behind my own back. Except I didn't buy this, or I did,

Gilgamesh: A New English Version, Stephen MitchellGilgamesh: A New English Version is a book about Gilgamesh by Stephen Mitchell. It was published in New York by The Free Press in 2004, ISBN 978-0-7432-6164-7. The literary history of Gilgamesh begins with five Sumerian poems about 'Bilgamesh' (Sumerian for 'Gilgamesh'), king of Uruk. These independent stories were later used as source material for a combined epic. The first surviving version of this combined epic, known as the "Old Babylonian"

He Who Saw The Deep: A Hymn to Survival The Gilgamesh epic is one of the great masterpieces of world literature. One of the early translations so inspired the poet Rainer Maria Rilke in 1916 that he became almost intoxicated with pleasure and wonder, and repeated the story to all he met. 'Gilgamesh,' he declared, 'is stupendous!' For him the epic was first and foremost 'das Epos der Todesfurcht', the epic about the fear of death.This universal theme does indeed tie together the various strands

The Epic of Gilgamesh, Anonymous, N.K. Sandars (Translator)The literary history of Gilgamesh begins with five Sumerian poems about 'Bilgamesh' (Sumerian for 'Gilgamesh'), king of Uruk. These independent stories were later used as source material for a combined epic. The first surviving version of this combined epic, known as the "Old Babylonian" version, dates to the 18th century BC and is titled after its incipit, Shūtur eli sharrī ("Surpassing All Other Kings"). Only a few tablets of it have

If you want the most interesting and the most banal analysis of anything simultaneously, reduce it to the sum of its fragments shored up against the one and only death. It is intriguing for its conscripting of any factoid into a series of Socrates soundings ("Why did they buy the house?" "They didn't want to die." "Why did they cross the border?" "They didn't want to die." "Why did they not resist being raped?" "They didn't want to die.") and monotonous to the point of pointlessness for the

5.0 stars. I thought this story was AMAZING. However, before I go any further I do want to point out that this review is solely for the version I read which was Gilgamesh: A New English Version by Stephen Mitchell. I say this because for a story written over 4000 years ago (approximately 2100 BC) about a King who lived over 4700 years ago (approximately 2750 BC) and was written in cuneiform in an extinct language (Akkadian), I imagine that the particular translation one reads may have a profound